STEIN MUSIC
Active Room Acoustic Elements
With the Stein Music Acoustic Systems you will push the boundaries of your sound stage and at the same time give more energy to the music as a whole. Add more size to the stage, significantly increase plasticity of single voices and instruments, and experience a significant increase in power over the entire spectrum of frequencies.
H1
The entry level of the original SteinMusic room acoustics systems at an affordable price. Latest generation: Further improved, and designed with much effort even more compact. Thus easy and inconspicuous to place in the room or on the wall. Can be easily colored with dispersion or spray paint according to your own wishes. Perfect also to be placed in the car in the pockets of the side doors. All H1 Micro work in continuous operation with one AA battery for longer than 3 years. They have a fixed intensity setting for universal use. The Signature module now sits in the rear panel.
This allows both H1 Micro and H1 Micro Plus to be upgraded to the Signature version by replacing the back panel.
H-PRO
The Stein Music H-Pro Acoustic System is a very efficient system for optimizing room acoustics. It is specially designed for use in concert halls and consists of active and passive components. Their interaction optimizes the acoustic conditions, for the musician as well as for the listener. For the former it is easier to express their playing, the listener can follow the musical events better. Because the sound carries better, and is thereby also more understandably perceived. The Stein Music H-Pro Room Acoustic System consists of active and passive elements, which have a positive influence on the acoustics. Air as a medium of sound transmission The basic requirement for the transmission of sound waves is a medium that can transport them. When playing music, this medium is basically air. Air is known to have a multitude of properties: Pressure, compressibility, temperature, humidity, oxygen content, charge, odorous substances or other suspended matter. But above all, air has one thing: mass. More precisely, 1.293 kilograms per cubic metre. A concert hall such as the Elbphilharmonie Concert Hall with 2100 seats and a volume of 23,000m3 thus comes to about 30 tons of room air. These air masses do not have to be moved completely to transmit sound, but their inertia is still involved. On the other hand, the vibrating components of the instruments, some of which have masses of only a few grams, have to transport their vibrations through the large air volumes. The H-pro system in comparison to classic acoustic solutions The H-pro system is designed to complement classic acoustic solutions. However, it is also an effective alternative where the use of damping elements and diffusers is not possible for structural or optical reasons. Why does the Stein Music H-pro system work in large halls as well as in small rooms, where the air mass is much smaller? Experience shows that two phenomena occur when using the Stein Music H-pro system: First, the air “carries” the sound better, which also leads to the common statement from musicians that it is easier for them to play or sing their instrument. The direct feedback of one’s own actions via the auditory system is more direct, as is the perception of this by the audience. On the other hand, the reflection behaviour at the interfaces changes. Small rooms and even cars are acoustically perceived much more spacious when using the H-pro system. Which significantly increases the general well-being.
H2
Experience next generation audio tuning and optimize your room acoustics. With the H2 Room Acoustic System, you extend the boundaries of your auditory space and at the same time give more energy to the music as a whole. Give the stage more size and individual musicians significantly more plasticity, and experience a significant increase in power over the entire spectrum of frequencies.
The basis for the transmission of sound waves is a medium that can transport them. When playing music, this medium is basically air. Air is known to have many properties: Pressure, compressibility, temperature, humidity, oxygen content, odorous or other suspended matter. Above all, however, air has one thing: mass, and at 1.3 kg per m³ not too little. The air mass in the passenger compartment of a passenger car is between 3 and 5 kg, depending on its size. A small room of 30 square meters and normal ceiling height comes thereby on approximately 100 kg air mass, a concert hall with 1800 places and 15 000m³ volume on 20 tons. On the other hand, diaphragm weights of less than 1 gram for tweeters to over 100 grams in the bass range are used to excite these air volumes with sound. Oscillating parts of instruments have a wider range with respect to their mass. Just think of a harmonica or a concert grand piano. First experiences that crystals have an influence on the acoustics we found out rather by chance: After a new decoration of one of our studios where rose quartz was also used, we had the impression that something had changed in sound. These were little things, but it turned out that everything was exactly the same after we removed these crystals. These changes were also reproducible for other people and over a longer period of time.
Further development
Now the question arose as to how far this principle can be used to achieve a lasting positive influence on room acoustics. This was a rocky road, because many of the ideas that were then processed in a structured manner achieved changes, but unfortunately none that we found positive. In the end, however, we still found two ways of activating crystals, which proved to be extremely positive when used properly: One by electronic means, and a second by quantum physics.
STEIN MUSIC
Passive Room Acoustic Elements
Discover our passive Room Acoustic Elements.
BLACK/BLUE DIAMONDS
Black Diamonds are similar to Black Stones, but in addition to Black Stones we here implemented another technique also based on quantum physics. So they became much more efficient. We recommend their use in the same way as Black Stones. Already the use of two Black Diamonds for example placed on the speakers will bring you a good step closer to the music. The Blue Diamonds further enhance the naturalness of the music compared to the Black Diamonds. With these, we were able to increase the intensity by a factor of three compared to the black diamonds.
BLUE SUNS
Steinmusic Blue Suns and Blue Suns Signature are the latest development of the Steinmusic Harmonizer System, and have a very strong impact regarding good room acoustics. They work best in combination with the Harmonizers, but already used alone are a very powerful tool. Blue Suns will give good results directly when mounted in a room. However the perfect placement will improve things in a significant amount, so that we suggest taking some time to optimize the placement. We suggest the use of some good recordings of unamplified instruments and natural voices, as here it is easiest to hear when the positions and proportions of singers and instruments gets more realistic.
E-PADS
Stein Music E-pads are small self-adhesive elements 8mm by 15mm in size, which have a radical impact on the reproduction of music. E-pads operate at the level of molecular interaction producing profound and measurable changes to both the mechanical and electrical properties of materials. These properties include a material’s spectrum of resonances, torsion force and modulus of elasticity as well as electrical conductivity by reducing electro smog and interference fields. Stein Music use TÜV certified methods of measurement that clearly prove the performance of E-pads.
QUANTUM ORGANIZERS
The Stein Quantum Organizers are completely passive, requiring no battery or other power source. The active elements are specially formed crystals that are resistant to damage and will never lose their effectiveness. The crystals in the Stein Quantum Organizers are energized by an energy field built up by quantum physical techniques. Once energized, the Stein Quantum Organizers create a magnetic field of force effect that affects the polarity of all electrons and protons in the magnetic field; affecting their oscillation by making them more aligned with each other. This reaction creates an affect that makes the transfer or sharing of electrons between atoms more streamline and efficient; and air molecules less resistant. The results are a stunningly enhanced purity and energy of the audio or video signal.
SUPER NATURALS
Resonances are present in all audio equipment. If we dampen them, we not only dampen resonances but also acoustic energy that is needed. If we isolate audio components, resonances stay inside pretty long and destroy the sound. So it is a good idea to give them a way out of those components to let them go to earth. At this gateway it often comes to reflections between components and stands. Naturals on the one hand help to get rid of unwanted resonances in the components, on the other hand avoid reflections from the stand. Naturals are able to „earth“ the components they carry in a stable but subtle way. On the contrary cones reduce energy transfer by a small surface, and rubber feet store energy and dispense it later again. String concepts are another approach. These may sound fine, but do not ground the components which often means that sound is fine but without structure.
Super Naturals are very special feet for components and speakers.
INLINE GOLD LAN ISOLATOR
The InLine Gold LAN Isolator is an innovative solution for music enthusiasts seeking a more authentic, natural-sounding music experience. By merging advanced technologies with high-quality materials, this isolator significantly enhances the natural sound quality in any network system. This isolator specifically addresses the common issue of network-related disturbances and distortions in audio playback. Through effective isolation and our advanced InLine technology, it significantly improves audio quality by eliminating electrical and magnetic interferences that would otherwise impact the natural listening experience.